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This goes way back
to about
1978 when I was just starting in animation at Candy Apple
productions.My
friend Tommy
Toney (who I had worked with at Ukrops grocery store and
with
whom I had made my first film,"Born to Bag"and it's horrifying
sequel,"The
House of Raunchfood",with employees of the store as the cast),asked me
to do this poster for a film showing he was putting together at VPI.In
those days we were involved in a marathon self -imposed course in
film history , at
the art houses and specialty theatres, as well as finely obscure
broadcasts
such those hosted by the
Bowman Body(look it up).This was before home video and DVDs and
even
cable I think,so it was fun thing and a real social event to get with
friends
seek out old or hard to find films,or ones we remebered from TV as
kids.Also
there was all the impromptu comedy improv in recounting and imitating
said
bits of motion picture extravaganza,as well as the thrill of letting
that
energy spill over into the films we threw together on a shoe string
budget,(and
the string bought on sale at K-Mart).It was all on the cheap,but some
of
the best creative fun I ever had.Below is a grafic artifact of that
era,known
as my FAR period.(farting around Richmond) I didn't get to see the show
but I had fun doing the poster.I wonder if anyone from Virginia Tech
remembers
it?
Van
Allen Animation
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Later,
Tommy
(who today is profeesor of Micro Biology at Georgia College in
Miledgeville,where he is often seen galavanting in his alter ego and
most probably previous incarnation, Oliver Hardy) continued his studies
in micro-biology
at
VCU,where I did a stint of playing Dwight
Frye to his Colin
Clive in collecting specimens for
his experiments (the
details of which shall remain forever cloistered as they might get us
arrested) all of which gave me the chance to work late in the lab
one
night for yet another film showing,and do
some
marking pen omage to that great connoisewer
of horror
as well as
art,Vincent
Price.
KVA
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When I first started
toying with opening my own studio, one of my eariest and most fun jobs
was animate laser shows to pop music icons such as the Beatles, the
Rolling Stones, Hendrix, Elvis ,and Paula Abdul among others. I believe
we were
the first to do full character animation with laser.I remember a new
process called "blanking" made this possible, escentially creating a
movie frame effect which allowed the laser time to adjust to the next
rendered frame without laser distortion.here I am with a somewhat blank
stare, being also mentally distorted while starring at
my pencil creations. They have a life of their own you know...
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